The campaign for Javier Ambrossi's "La Bola Negra" will not feature a lead acting push at all. Sources close to the production tell Hollywood Buzz News that the Spanish-language drama will compete in the supporting categories across the board, with musician-turned-actor Guitarricadelafuente and every other principal cast member positioned as supporting players rather than leads.

The decision, confirmed exclusively to this outlet ahead of the film's September 25 release, amounts to an unusual strategy for a 155-minute ensemble drama that follows three men across three distinct eras. Rather than elevating one performer as the face of the awards run, the filmmakers have opted to present the cast as a single, interlocking unit.

A Trio of Eras, a Trio of Men

"La Bola Negra" traces the intertwined lives of three men in three different time periods, bound together by sexuality and desire, by pain, and by the legacy one generation hands to the next. Guitarricadelafuente, the Spanish singer-songwriter making his dramatic feature debut, plays Sebastián. Miguel Bernardeau appears as Rafael, and Milo Quifes takes the role of Carlos. Carlos González rounds out the central male quartet as Alberto.

The supporting-category designation means none of the four will be submitted for lead consideration, even though the narrative is structured around their overlapping stories. It is a choice that speaks to how Ambrossi and his collaborators view the film: less as a star vehicle than as a mosaic in which no single thread dominates.

A Deep Bench Behind the Leads

The decision is easier to justify given the caliber of the names further down the call sheet. Lola Dueñas plays Teresa, while Penélope Cruz takes on the role of Nené Romero. Glenn Close appears as Isabelle Durand, and Lorenzo Zurzolo also features among the ensemble.

Placing Cruz and Close - two performers with substantial awards histories on both sides of the Atlantic - into supporting races gives the film multiple credible entry points with voters. It also avoids the internal competition that can sink a campaign when two actors from the same title are pushed in the same category.

Whether the strategy holds will depend on how awards bodies define these roles once members actually watch the film. Category placement is ultimately subject to the judgment of each organization, and a performance submitted as supporting can still be reclassified if enough voters object.

Ambrossi Steps Out Alone

The film marks a notable shift for Ambrossi, who built his reputation alongside Javier Calvo as one half of the directing duo behind "La Llamada" and the acclaimed series "Veneno." With "La Bola Negra," he directs solo, working in a register that trades the pair's usual pop-inflected warmth for something starker.

The genre labels attached to the project - drama and war - signal that this is a heavier undertaking than his previous work. The interplay of desire and violence across separate eras suggests a film concerned with how private longing survives public catastrophe, and how one man's choices echo into lives he will never meet.

At 155 minutes, it is also an unusually long theatrical proposition for a Spanish-language drama aiming at the fall awards corridor. That runtime gives the three storylines room to breathe, but it places a heavier burden on word of mouth once the film opens.

What Comes Next

"La Bola Negra" arrives in theaters on September 25, 2026, one day after the campaign's category placements became known. With no festival prizes or box-office returns yet on the board - and a TMDb rating still sitting at zero, reflecting the absence of audience votes before release - the film enters the season as a question mark rather than a frontrunner.

That may be precisely the point. By keeping every cast member in the supporting field, the team behind "La Bola Negra" is betting that voters will respond to the ensemble as a whole, and that a film about three lives tangled across time is best sold the same way it was built: collectively, with no one figure standing above the rest.

Source: Hollywood Reporter