Daisy Ridley is set to star in "Get Rid of It," one of the projects generating early buzz at the American Film Market, with Sosie Bacon and Simon Rex also joining the cast. The package has emerged as one of the more closely watched titles at this year's AFM, where buyers and sellers converge to hash out deals on forthcoming films. Details around the project remain tightly held, but the combination of Ridley's profile and a cast that pairs established names with actors known for adventurous choices has made it a talking point on the market floor.

Ridley first became a household name through her role as Rey in the Star Wars sequel trilogy, a part that turned her into one of the most recognizable faces of her generation almost overnight. Since then, she has worked deliberately to broaden her range, moving between studio tentpoles and smaller, character-driven material. That willingness to zigzag between scales has made her an appealing proposition for independent-minded productions looking for both marquee value and genuine acting chops. Her involvement alone tends to change how a project is perceived, and "Get Rid of It" appears to be benefiting from that effect at the market.

Bacon arrives with her own momentum. She drew widespread attention for her leading turn in "Smile," a performance that carried much of that film's unsettling energy and introduced her to a far larger audience. Since then, she has been a name on the rise, and her attachment to "Get Rid of It" signals a continued interest in material with a darker or more unconventional edge. Pairing her with Ridley gives the film two strong female leads, a combination that tends to sharpen buyer interest when a package is being shopped.

Simon Rex, meanwhile, brings a different kind of energy. After years of genre work and comedy, he drew acclaim for "Red Rocket," a performance that showcased a looser, more unpredictable register and reminded audiences of his range. His presence in the cast suggests "Get Rid of It" is aiming for something with texture rather than straightforward polish. Actors of that type often gravitate toward material that lets them play against expectation, and his casting alongside Ridley and Bacon hints at a project that will lean into odd corners rather than play it safe.

A Market Package Built to Draw Attention

At AFM, packages rise and fall on how quickly they can convert curiosity into commitments. A title with recognizable names attached can move faster through negotiations, and the early positioning of "Get Rid of It" suggests the team behind it is counting on exactly that dynamic. The project has been presented as a hot item, a label that in practice means it is drawing steady meetings and interest from distributors and financiers looking to get in early.

What remains unclear is the precise shape of the film itself. No confirmed logline, director, or production timeline has accompanied the announcement of the cast, and the title alone leaves plenty of room for interpretation. That ambiguity has not dampened interest so far. In a market environment where buyers are selective, a project that combines a globally known star with actors known for distinctive choices often finds a receptive audience.

The timing also matters. AFM serves as a bellwether for what independent buyers believe audiences will want in the months ahead, and casting announcements made there tend to reflect broader appetites. A film headlined by Ridley, with Bacon and Rex in support, fits a pattern of packages that blend commercial reach with a slightly offbeat sensibility. Whether that formula translates into commitments on the floor will become clearer as the market unfolds.

What Comes Next

For now, the story of "Get Rid of It" is one of assembling talent and testing the waters. Ridley's involvement gives the project an immediate anchor, Bacon's rising profile adds contemporary heat, and Rex supplies a wildcard element that could prove to be the film's most interesting selling point. Each of the three brings a distinct audience and a distinct set of expectations, and how the film balances them will likely define its appeal.

Further details, including who will direct and when production might begin, are expected to surface as the market continues. Until then, "Get Rid of It" stands as one of those AFM titles that generates conversation largely on the strength of its casting, with the rest of the picture still forming. For buyers and observers alike, it is a project worth keeping on the radar, if only to see how a trio of performers this varied ends up sharing the screen.

Source: Hollywood Reporter