Rock Paper Scisssors (2026) - Shan Leigh Pomeroy Film

It’s a Tuesday in the middle of August, which in Hollywood terms usually means we’re scraping the bottom of the summer barrel. But every once in a while, a title drops that makes you do a double-take. Such is the case with Rock Paper Scisssors, a film that arrives today, August 15, 2026, with a runtime of exactly one minute. Yes, you read that correctly. Sixty seconds. No feature-length epic, no mid-budget thriller, just a single, fleeting minute of cinema. And yet, in that brevity lies a strange, magnetic curiosity that has the industry whispering.

Release Date & Where to Watch

Rock Paper Scisssors officially hits screens today, August 15, 2026. But before you rush to your nearest multiplex, you should know that this isn’t a traditional theatrical rollout. Given its impossibly tight runtime, the film is being positioned as a digital-first release, available on all major streaming platforms and video-on-demand services from midnight onward. Think of it as a palate cleanser between your usual binge-watching fare - a micro-dose of storytelling that doesn’t overstay its welcome. Some indie art-house theaters are reportedly planning to screen it as a pre-show curio before their main features, likely as a cheeky warm-up act. If you’re expecting a full-fledged Hollywood premiere with red carpets and celebrity arrivals, you’ll be disappointed. This is a film that knows exactly what it is: a fleeting, almost ephemeral experiment in narrative compression. You’ll have to act fast to catch it in a theatrical setting, because with a running time like that, by the time you’ve ordered your popcorn and found your seat, the credits will already be rolling.

Cast & Crew

The talent roster for Rock Paper Scisssors is as minimalist as its duration. The sole credited figure is director Shan Leigh Pomeroy, a name that might not ring a bell to casual moviegoers but has been quietly building a reputation in the short-form and experimental circuit. Pomeroy, who also serves as the film’s writer, seems to be operating under a philosophy of radical constraint: one minute, one concept, no fat. The cast, however, is listed as unknown - which is either a deliberate marketing stunt or a genuine reflection of a production that used non-professionals, friends, or perhaps just a pair of hands. There’s no studio intervention here, no A-list star power to sell a poster. In fact, the lack of a credited cast feels almost punk-rock in its insistence on stripping away the usual celebrity apparatus. The spotlight, such as it is, rests entirely on Pomeroy’s shoulders. With a TMDb rating of 0 out of 10 - a score that obviously reflects an absence of votes rather than a critical panning - the film is a blank slate auteur gamble. It’s a bold move to release something so skeletal in a landscape dominated by billion-dollar franchises, but Pomeroy has never been one for convention. Whether this is a passion project born from a festival dare or a cheeky commentary on audience attention spans, the crew’s anonymity only deepens the intrigue.

Story & What to Expect

Here’s where things get delightfully tricky. The official overview for Rock Paper Scisssors is maddeningly vague, described simply as “As described.” That’s it. No logline, no synopsis, no tantalizing plot twist hinted at in a trailer. From the title alone, you can reasonably infer a literal showdown: the classic hand game, two opponents, and the eternal triangle of rock crushing scissors, scissors cutting paper, and paper covering rock. But is it a comedy? A drama? A horror? The genre field is tagged as “unknown,” which suggests that Pomeroy is deliberately sabotaging any attempt at easy categorization. Expect a single, unbroken take. Expect silence, perhaps, or a single sound cue. Expect the tension of a standoff distilled to its purest form. The runtime of one minute is not a gimmick - it’s a dare. A dare to see if you can find narrative satisfaction in a vanishingly small window. Some will argue that a minute is too short to even register as a film, let alone evoke an emotional response. Others will counter that it’s the perfect length for a digital age where attention is the scarcest commodity. If you go in expecting a traditional three-act structure with character arcs and a climax, you’ll be left baffled. Instead, approach it like a magic trick. The setup is the title, the sleight of hand is the editing, and the payoff is whatever you project onto the final frames. It’s less a story and more a Rorschach test projected at 24 frames per second.

Why It’s Worth Watching

In an era of three-hour superhero epics and bloated TV miniseries, Rock Paper Scisssors is a radical act of subtraction. There’s a certain bravery in releasing a film that ends just as you’ve settled into your seat. This isn’t about profit margins or box office records - it’s about the purity of an idea. For viewers, it’s a refreshing challenge to your own patience. Can you watch a complete narrative in sixty seconds? Can you let go of the need for lengthy setup and simply surrender to a single, distilled moment? The film forces you to re-evaluate what you consider a “movie.” Is it length? Budget? Star power? Pomeroy’s work suggests none of those matter. What matters is intent and execution. And with a rating of 0/10, you have the rare opportunity to be part of a film’s birth - your vote will be among the first to actually count. The unknown cast and director’s single-minded vision create a buzz that’s entirely organic, fueled by word-of-mouth and occasional festival chatter rather than a massive marketing push. It’s the kind of experimental oddity that cinephiles will discuss for months, wondering what it meant, whether it was a joke, or if it was secretly profound. You don’t watch Rock Paper Scisssors for entertainment in the traditional sense. You watch it to have an opinion. And honestly? In a summer of predictable sequels, having any opinion that isn’t “that was too long” is a welcome change of pace. You’ve got sixty seconds. Use them wisely.